C-100
C-100 A tradeoff is usually found between bandwidth and sensitivity, but both qualities are essential to offer both a wide frequency response of 20 Hz-50 kHz, without attenuation, and the ample sensitivity needed in studio microphones. This quest led to the development of wholly new capsules, and in the side-address C-100, the range is covered by a two-way capsule design.
Vocal Recording
Vocal Recording One listen, and the realism and clarity of vocal performances will be apparent. Pitch and sibilance are very clear, which eliminates the need to emphasize lyrics in mixing. Also a good match for rap and narration, it is an easy mic to recommend to current C800G users. This is not the type of mic that colors or emphasizes mids. Instead, mids are manageable without being overemphasized, unlike other mics prone to unpleasant midrange overlaps. Characteristics of chained instruments are captured quite well. The mic picks up a large range of harmonics, which promises captivating results from placement at a distance. With more skilled vocalists, it is an easy mic to try advanced techniques with.
Musical instrument Recording
Musical instrument Recording Characteristics of the mic capture a rich array of harmonics that clearly reveal not only performances but even instrument parts and the condition or humidity of materials. Responsive diaphragms prevent harshness and distortion even in vigorous performances. The attack of percussion, the shimmer of metal instruments, guitar fingering, and piano performances can be captured with exceptional realism. Accuracy of lows is also noteworthy. Even if you use a familiar microphone with a suitable sound signature for the instruments, setting the additional 100 series will open up new possibilities.
Ambience and Air
Ambience and Air From these descriptions, it is also easy to imagine how the mic excels at capturing the air of the recording environment, acoustics of studios or concert halls, and ambience. This will tempt you to explore a variety of miking techniques: accent, room, ambient, and overhead for drums. Since even subtle sounds are picked up well, you may get the impression that the mic is placed closer to the source than usual. This also means that it can capture quite a lot of sound within the range of its directivity.
